9.21.2010

Assignment 2: Portrait Recreation

     Almost at the very beginning of my search I came across this striking image of a woman that I knew I wanted to recreate. I kept looking, but I kept coming back to this image. However, I wasn't sure how I could make it mean more than simply a recreation.
Here is the image by Aneta Grzeszykowska.
Aneta Grzeszykowska's "Untitled Film Still #16",  2006
   After some research, I found that this image was actually a recreation of another image by a woman Cindy Sherman.
Here is her image.
Cindy Sherman's "Untitled Film Still #16", 1978
    The photo is part of her "Film Stills" series, which all feature a woman in a different role, which resemble women characters of B-movies of the time. The idea behind this series was that women aren't biologically programmed to be a certain way, but rather adapt to their circumstances. The series shows many different types of woman acting out many different (generally stereotypical) roles.
Aneta Grzeszykowska had kept the idea alive by recreating Sherman's series, and I thought it would be an honor to continue the tradition. So essentially I would be making a remake of a remake of a remake. Whoa!
    As you can see, Grzeszykowska kept very closely to the original image in her composition, hairstyle, makeup, etc. I found both images very striking and beautiful and tried to get close to both images, with a sort of hybrid of each, but also updating the image to make it portray more of the current woman. I couldn't quite get the positioning and angle right,  but I did the best I could. I don't think my image functions as well as theirs do, but of course I could always reshoot. I think if I did decide to redo it, I would just try a different position, as if it was the scene before or after- I think that would be more successful.
Here is my remake.

9.20.2010

Secret Garden Series (Assignment 1)

Secret Garden: Scene 1


Secret Garden: Scene 2
Secret Garden: Scene 3 



Secret Garden Series Statements (Assignment 1)

Secret Garden: Scene 1
     I wanted to frame the tiny door and bench by the fence so that one felt they were crouching down and observing a small world. I left part of the gate on the fence so the comparison of size could be made. I used high contrast to lead the eye from the texture of the leaves and the lines of the fence to the door and the bench.  This scene is in my backyard and I knew that I wanted to photograph it- no sketching or constructing needed. I didn't even touch the position of the bench- if you look closely, you may be able to see a delicate spiderweb left undisturbed in this peaceful space. 
    This image is about a minuscule world you could easily miss if you weren't looking- people should try to be more observant of their environment, and they may just discover a beautiful treasure or magical scene  (maybe even a secret garden). They should also leave these areas undisturbed- enjoy it, but don't spoil it. In this way, the image could be seen as a statement about conservation.
   The small setting reminds me of the rabbit going through his door in Alice in Wonderland. Like Alice in Wonderland, the scene has realistic aspects combined with fantastical ones to create a narrative.

Secret Garden: Scene 2
    In this image, the silhouettes of two lovers can be seen against a lush natural background. I increased the contrast between the bush and the figures and made the edges of the frame darker so that the focus is directly on the silhouettes. I placed the figures slightly off center for a more interesting composition. I didn't plan this image at all- I was out taking pictures with my boyfriend when we noticed our shadows, which inspired me to take the photo.
  My intention with this image was to give the idea of the garden even more depth. The idea of the secret garden takes on a completely different meaning in this image- a secluded location yes, but possibly the couple has to keep their romance secret as well. This idea reminds me of the Romeo and Juliet, hiding their affair with furtive meetings. Maybe the fact that the couple is surrounded  by beautiful nature would remind the viewer of Adam and Eve, whose romantic love was also forbidden. Could this be the moment before the fall? The dark areas surrounding the couple accentuates their closeness and the sanctity of their space, but could it also foreshadow dark events to happen? I want the viewer to be able to attach their own story, memories and recognitions with this image.

Secret Garden: Scene 3
    The third secret garden image also uses high contrast to bring focus to the subject(s). I also made the area behind the dragonflies darker so that where they are couldn't easily be discerned.  These beautiful dragonflies are only a plastic mobile, but the sunlight that shines through them gives them a brilliance that makes them almost seem alive. This is also accentuated by the fact that they are suspended, which creates even more movement in the scene and makes it more dynamic. It was fairly difficult to get the image the way I wanted it, since the dragonflies were constantly moving and my camera was pointing in the direction of the sun. In this image, I wanted to bring the more magical or fantastical feeling Scene 1 brought in a more direct, less subtle way. It seems the main dragonfly and the others are celebrating, buzzing around the entire scene.
    This image again reminds me of the fantastical environment in Alice in Wonderland, or possibly the setting in A Midsummer Night's Dream. I thought it would be interesting through all of these images to create a world and narrative that wasn't real. Most people think of photographs as recording what is real and true, but it is just as easy to create a fantastical story with a photo as well. 
 

9.08.2010

Assignment 0: Recreation

Hamaya Hiroshi's Snow Country- New Year Celebrations in Niigita Prefecture Untitled

My remake...
I couldn't find much information on this specific photograph, but Hiroshi's focus for many years was observing people and their interactions with their environment (especially in Japanese cultures.)
I showed the photo to my little sister and she said the people walking in the snow reminded her of soldiers (which is interesting, considering the title involves a time of celebration, not war). Going with this, I set up toy soldiers in the same composition as Hiroshi's men, but on bedroom carpet instead of a snowy tundra- an observation of an American child in interaction with his/her environment


Jerry Uelsmann's Variations on a Theme by Botticelli  

My remake...

Again, I didn't have much luck finding information on this specific photo. However, Uelsmann is known for layering photos when developing his film. Also, his Variations on a Theme by Botticelli series all involved the female figure and this other metallic-looking form. I could never figure out what the form was, but it kept reminding me of a pop can tab...so I went with that.
Here is another example from this series...

Can you tell what the object is? I sure can't. I don't necessarily think I'm supposed to though, so that's okay.